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Dante Alighieri |
Paradiso, XXXIII.85-93, 121-145
I was introduced to Dante's Commedia by three wonderful Dante scholars Etienne Gilson, Charles Singleton, and John Freccero at Dante's 700th Birthday Symposium at Cornell University. Singleton's image of Dante's Commedia as a work of reflective symmetry, a crystalline snowflake has remained with me all these years that I approach Dante with much awe and humility. When I took Professor Freccero's class on Dante's Paradiso at Stanford in Spring 2001, I did this web site on Dante at Wisdom Portal. Some of the essays written are: Dante's Paradiso VI: Romeo of Villeneuve, Dante & Beatrice, Dante & Marilyn, and Dante's 55 & The Platonic Lambda. For this Poetry Anthology, I'm including Dante's cosmic vision at the end of Paradiso. Dante's poem has been "the bread of angels" (Paradiso, II.11) to me during my research on predicting protein structures as the language of life, and now in writing poetry, the language of the human heart. Dante's "scattered leaves of all the universe" may refer to leaves of all the trees, or to leaves in the Sibyl's Book of past & future events, or to the tiers of universes envisioned by Hua-Yen Buddhist masters, or to the multi-verses of modern astrophysicists and cosmologists. I thought Dante was four centuries ahead of Newton when Beatrice taught him about gravitation in his ascent through the planetary spheres. Prof. Freccero referred me to Mark Peterson's paper "Dante and the 3-sphere" (American Journal of Physics, Vol. 47, 1031-1035 (1979), which correlated Dante's vision with Einsteinian relativity. Remarkable indeed! (Peter Y. Chou) |
Dante's Cosmic Vision in Paradise
Within a single volume, bounded by love
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© Peter Y. Chou, WisdomPortal.com P.O. Box 390707, Mountain View, CA 94039 email: ![]() |
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