Illumination upon illumination have ben filling and fulfilling my soul ever since the poem "I See Joy" flowed through me in Ithaca on June 15, 1968. This poetic awakening came from many sources, perhaps too numerous to describe. I recall that it was during a time when I was deeply immersed and inspired in the creative lives of the great masters in art, literature, & science. By studying their notebooks, diaries, journals, and letters, I was hoping to gain some insights on the nature of creativity when I became suddenly aware of the spiritual linkages of all beings in the universe. I was also compiling a book of beautiful quotations as a wedding gift for my sister on June 1st. So my mind was totally imbued with poetic gems from masters throughout the ages and all corners of the globe. The idyllic atmosphere of the lakes and gorges on the Cornell University campus was certainly another factor. The actual composition came however while I was listening to the Four Seasons by Vivaldi. It was the 2nd movement "Winter" which suddenly sparkled the poetic flame in me. This largo movement depicts a steady falling of rain by employing a contended lyrical melody for solo violin, with a sound-effect raindrop accompaniment in the orchestral strings (pizzaicato),. The beauty conveyed is just beyond this world. The melody gave me the feeling "Oh, this is how it feels to be a snowflake or a raindrop." I played this largo movement over again and again, and while the raindrops fell musically, the poetic couplets fell our easily as from the sky. I would contemplate on nature, man, and the arts, writing the first line of the couplet, while the second line flowed instantly like a bubbling fountain of divine inspiration. For the first time, I understood what Paul Klee meant when he said "My hand is entirely the instrument of a distant sphere. It is not my hand that functions, but something else, something higher, something somewhere remote. I have great friends there, dark as well as light... they are all very kind to me." Thus, I finished the 36 couplet poem in a day much to my surprise. This is just a simple explanation of how I composed the poem "I See Joy". In a letter to Franz Liszt, Richard Wagner wrote "When you create you do not explain." However, in my studies on the miracles of the mind, I find myself trying to explain the creative impulses which lead to the brilliant works of art and science. Of course, the masters rarely stop to explain their own works. They just go on creating more and more masterpieces for us to wonder and admire. Critics will dissect these works and speculate on their source of inspiration. They will debate and even write scholarly books, yet the picture of creativity is never complete. I thought that a better glimpse to creativity will come if we analyze our own works, since we do know ourselves best of all. But in the final analysis, all creations whether human or divine are veiled in deep mystery. We must love our work & be thankful for whatever that comes our way, remembering always to keep our mind in openness and joyful receptivity. Peter Y. Chou Ithaca, 6-15-1968 Cornell University |
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